Playlists
Cross|Section (12/3/22) – The Alchemist
This week Michael gave us a tour of Alchemist’s beats…
it’s Cross|Section on 91.1FM W.R.E.K. ATL
~MICHAEL’S SET~
a1 the lovers (la prima volta) >> e. coli (alchemist)
poor wayfaring stranger (v/a) >> 6 five heartbeats (alchemist + vince staples)
my tune (v/a) >> (armand hammer + alchemist)
on love (david t. walker) >> something to rap about(freddie gibbs + alchemist + tyler, the creator)
let me in your life (janu goldschmidt) >> terry [mf doom remix] (action bronson)
mtume (theme for the people) >> MTOMB (earl sweatshirt + liv.e + alchemist)
riff raff (havakak) >> lye (earl sweatshirt)
wood brass & steel (my darling baby) >> bundy & sincere (curren$y)
o’donel levy
love story (o’donel levy) >> w.y.g.d.t.n.s. (scHoolboy q + alchemist)
what will take (RASTUS) >> the hopeless romantic (action bronson + alchemist)
more like jesus (fountain of life joy choir) >> so much more (haedyn fry)
pickup (taya graham) >> arnold & danny (action bronson + alchemist)
Miku Nation #7
playlist: miku nation 12/2/22 – YouTube
Orangestar – Henceforth ft. VY1V4 (tuned by cillia)
BuzzG – Fairytale, ft. VY1V4 (tuned by cillia)
Police Piccadilly – Nerve Impulse ft. yamine renri
Hiiragi Magnetite – 撫でんな (Don’t Pet Me)
doriko – Romeo and Cinderella ft. Hatsune Miku
Yoh Kamiyama – YELLOW ft. VY2 Yuuma (tuned by Xendella)
Iyowa – Kyu-kurarin ft. Kafu (Yuha Remix)
iyowa – apricot ft. Hatsune Mikutoa – Patchwork Staccato ft. KAITO V3 Whisper (tuned by TORA_V4)
Police Piccadilly – Cynic ft. yamine renri
r-906 – ノウナイディスコ nonai disco ft. IA (CeVIO AI)
Jin – Outer Science ft. IA
DECO*27 – Antibeat ft. Hatsune Miku
Playlist for Lost in the Stacks, December 2, 2022, “How To Revise A Book,” episode 541
Hear the show at http://traffic.libsyn.com/lostinthestacks/LITS_Episode_541.mp3
“My Back Pages,” by the Ramones
Interview with Prof. Philip Auslander of Georgia Tech’s School of Literature, Media, and Communication
File this set under PN1590 .S6 A88 1999
“Canned Music” by Dan Hicks and The Hot Licks
“The Faster I Breathe The Further I Go” by PJ Harvey
Continued Interview with Prof. Philip Auslander
File this set under LB14.7 .K65 2015
“Don’t You Ever?” by Slant 6
“Sick Of Myself” by Matthew Sweet
Continued Interview with Prof. Philip Auslander
File this set under PH3281 .L59 S913 1973
“Starry Eyes” by The Records
“Nothing You Can Say” by Holly Golightly
“Do It Again” by Queens of the Stone Age
mode8 #21: Jazz Episode!
This week’s mode8 episode focuses on jazz soundtracks in games!
Katamari On The Funk // Katamari Forever
Map Music // Jazzpunk
Bosco’s // Sam and Max Save The World
Alpha, Beta, Cocktail // Device 6
Inkwell Isle Four // Cuphead
Casino Calavera // Grim Fandango
Forecast // Transistor
Power Grid // SimCity 3000
Little Red Diesel // Transport Tycoon Deluxe
Shooby Shooby Do Yah! // LittleBigPlanet Karting
Training Mode // Marvel vs Capcom 2
An Illegal Messenger // 10,000 Bullets
Running to Horizon // Enthusia Professional Racing
Steam Gardens (Sherms) // Super Mario Odyssey
continental drift 11/30/22: kazakhstan
Today we are drifting to the transcontinental country of Kazakhstan. Listen to the playlist here, and listen back to the episode here.
Kazakhstan, also spelled “Qazaqstan,” is located in central Asia and eastern Europe. It is the ninth largest country in the world by land area, and the largest Muslim-majority country. National languages are Kazakh and russian. The name Kazakhstan comes from the turkish “qaz,” to wander, and the persian “-stan,” land of, combining as land of the wanderers. This refers to the long tradition of nomadic cultures in the country. The country is often referred to as “the steppes,” referring to its extensive grasslands.
There is a Kazakh national legend about the origins of music that tells of a “divine song,” soaring high in the sky once upon a time, flew above the steppe of Kazakh nomads and descended to Earth, bestowing musical gifts.
A dombra
Traditional Kazakh music is fronted by two instruments: the kylkobyz and the dombra. The kylobyz is a two stringed bow instrument, and the dombra is a two string plucked instrument. Strings, therefore, are very important in the musical culture of the country.
Strings segment:
Aïdos // Aq-Zhusan Imanghazy-qyzy
Ak Ozen // Folk Ensemble of the Presidential Orchestra
In 1936, Kazakhstan became the Kazakh Soviet Socialist Republic within the Soviet Union, and in 1988 was the last of the Soviet Republics to declare independence. Russian influence is seen greatly in Kazakh music. The Russians created musical academic institutions and European music was both taught and performed, permeating into Kazakh public consciousness. Kazakh music was also incorporated into the musical education and performances, creating a blend of European and Kazakh styles.
Classical/Traditional segment:
Adai // Kurmangazy Sagyrbayuly, Aizat Yusupdzhanova
String Quartet No. 1: III. Allegro assai // Arman Zhaiym, Kazakh State String Quartet
Erke Sylkym // The Magic of the Nomads
Rock music became popular in the 1960s because of the Beatles. In the beginning, only American, Russian, and English rock was popular, though Kazakh rock bands began to emerge after that. Our next couple of songs show rock music with a heavy traditional influence, as is common in the country.
Rock Segment:
Yapur-ai / Regret // Roksonaki
So I Love You Heavens Now // Buttness
Hip hop is prevalent in Kazakhstan, especially as performed in Russian. We cannot talk about Kazakh hip hop without mentioning Rap Zone, the first and most widespread rap artist. They emerged in the mid 1990s, put out one album on cassette, and then disappeared. One of them became a photographer, one moved to Belarus, and one is involved in business. Nevertheless, they left a huge impact on Kazakh music and the teens at the time.
Hip Hop Segment:
Идиллия (как ЭТО по науке) Idyll (as it is in science) // Rap Zone
Жанна Jeanne // Dramatic
Звон Бокалов Clink of Glasses // Metis’s
Koka // Shiza, Yenlik
Q-pop is Kazakhstan’s take on K-pop and its culture. The “Q” comes from the alternative spelling of Kazakhstan with qs (Qazaqstan). Q-pop is important because it appeals greatly to the younger generation and is also predominantly performed in Kazakh.
Gakku TV producer Timur Baimbetov believes that music listening in the native language, plays an important role in strengthening the national identity of the young state.
“We suffered from little brother syndrome, being a neighbor of Russia. We are accustomed to the fact that everything that comes from Russia is better than our own. Now we can compete in the field of music.”
Ninety One
Q-pop segment:
1DEI // Ninety One
SÓZ BERE ALMAIM // ALPHA
Dequine
INTROVERA
